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Cratylus by Plato
page 12 of 184 (06%)
ancient as in modern times was a favourite recreation; and Socrates makes
merry at the expense of the etymologists. The simplicity of Hermogenes,
who is ready to believe anything that he is told, heightens the effect.
Socrates in his genial and ironical mood hits right and left at his
adversaries: Ouranos is so called apo tou oran ta ano, which, as some
philosophers say, is the way to have a pure mind; the sophists are by a
fanciful explanation converted into heroes; 'the givers of names were like
some philosophers who fancy that the earth goes round because their heads
are always going round.' There is a great deal of 'mischief' lurking in
the following: 'I found myself in greater perplexity about justice than I
was before I began to learn;' 'The rho in katoptron must be the addition
of some one who cares nothing about truth, but thinks only of putting the
mouth into shape;' 'Tales and falsehoods have generally to do with the
Tragic and goatish life, and tragedy is the place of them.' Several
philosophers and sophists are mentioned by name: first, Protagoras and
Euthydemus are assailed; then the interpreters of Homer, oi palaioi
Omerikoi (compare Arist. Met.) and the Orphic poets are alluded to by the
way; then he discovers a hive of wisdom in the philosophy of Heracleitus;--
the doctrine of the flux is contained in the word ousia (= osia the pushing
principle), an anticipation of Anaxagoras is found in psuche and selene.
Again, he ridicules the arbitrary methods of pulling out and putting in
letters which were in vogue among the philologers of his time; or slightly
scoffs at contemporary religious beliefs. Lastly, he is impatient of
hearing from the half-converted Cratylus the doctrine that falsehood can
neither be spoken, nor uttered, nor addressed; a piece of sophistry
attributed to Gorgias, which reappears in the Sophist. And he proceeds to
demolish, with no less delight than he had set up, the Heracleitean theory
of language.

In the latter part of the dialogue Socrates becomes more serious, though he
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