does not lay aside but rather aggravates his banter of the Heracleiteans,
whom here, as in the Theaetetus, he delights to ridicule. What was the
origin of this enmity we can hardly determine:--was it due to the natural
dislike which may be supposed to exist between the 'patrons of the flux'
and the 'friends of the ideas' (Soph.)? or is it to be attributed to the
indignation which Plato felt at having wasted his time upon 'Cratylus and
the doctrines of Heracleitus' in the days of his youth? Socrates, touching
on some of the characteristic difficulties of early Greek philosophy,
endeavours to show Cratylus that imitation may be partial or imperfect,
that a knowledge of things is higher than a knowledge of names, and that
there can be no knowledge if all things are in a state of transition. But
Cratylus, who does not easily apprehend the argument from common sense,
remains unconvinced, and on the whole inclines to his former opinion. Some
profound philosophical remarks are scattered up and down, admitting of an
application not only to language but to knowledge generally; such as the
assertion that 'consistency is no test of truth:' or again, 'If we are
over-precise about words, truth will say "too late" to us as to the belated
traveller in Aegina.'

The place of the dialogue in the series cannot be determined with
certainty. The style and subject, and the treatment of the character of
Socrates, have a close resemblance to the earlier dialogues, especially to
the Phaedrus and Euthydemus. The manner in which the ideas are spoken of
at the end of the dialogue, also indicates a comparatively early date. The
imaginative element is still in full vigour; the Socrates of the Cratylus
is the Socrates of the Apology and Symposium, not yet Platonized; and he
describes, as in the Theaetetus, the philosophy of Heracleitus by
'unsavoury' similes--he cannot believe that the world is like 'a leaky
vessel,' or 'a man who has a running at the nose'; he attributes the flux
of the world to the swimming in some folks' heads. On the other hand, the