Some Account of the Life of Mr. William Shakespear (1709) by Nicholas Rowe
page 34 of 48 (70%)
page 34 of 48 (70%)
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in the last Agonies on his Death-Bed, with the good King praying over
him. There is so much Terror in one, so much Tenderness and moving Piety in the other, as must touch any one who is capable either of Fear or Pity. In his _Henry_ VIII. that Prince is drawn with that Greatness of Mind, and all those good Qualities which are attributed to him in any Account of his Reign. If his Faults are not shewn in an equal degree, and the Shades in this Picture do not bear a just Proportion to the Lights, it is not that the Artist wanted either Colours or Skill in the Disposition of 'em; but the truth, I believe, might be, that he forbore doing it out of regard to Queen _Elizabeth_, since it could have been no very great Respect to the Memory of his Mistress, to have expos'd some certain Parts of her Father's Life upon the Stage. He has dealt much more freely with the Minister of that Great King, and certainly nothing was ever more justly written, than the Character of Cardinal _Wolsey_. He has shewn him Tyrannical, Cruel, and Insolent in his Prosperity; and yet, by a wonderful Address, he makes his Fall and Ruin the Subject of general Compassion. The whole Man, with his Vices and Virtues, is finely and exactly describ'd in the second Scene of the fourth Act. The Distresses likewise of Queen _Katherine_, in this Play, are very movingly touch'd: and tho' the Art of the Poet has skreen'd King _Henry_ from any gross Imputation of Injustice, yet one is inclin'd to wish, the Queen had met with a Fortune more worthy of her Birth and Virtue. Nor are the Manners, proper to the Persons represented, less justly observ'd, in those Characters taken from the _Roman_ History; and of this, the Fierceness and Impatience of _Coriolanus_, his Courage and Disdain of the common People, the Virtue and Philosophical Temper of _Brutus_, and the irregular Greatness of Mind in _M. Antony_, are beautiful Proofs. For the two last especially, you find 'em exactly as they are describ'd by _Plutarch_, from whom certainly _Shakespear_ copy'd 'em. He has indeed follow'd his Original pretty close, and taken |
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