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Some Account of the Life of Mr. William Shakespear (1709) by Nicholas Rowe
page 34 of 48 (70%)
in the last Agonies on his Death-Bed, with the good King praying over
him. There is so much Terror in one, so much Tenderness and moving Piety
in the other, as must touch any one who is capable either of Fear or
Pity. In his _Henry_ VIII. that Prince is drawn with that Greatness of
Mind, and all those good Qualities which are attributed to him in any
Account of his Reign. If his Faults are not shewn in an equal degree,
and the Shades in this Picture do not bear a just Proportion to the
Lights, it is not that the Artist wanted either Colours or Skill in the
Disposition of 'em; but the truth, I believe, might be, that he forbore
doing it out of regard to Queen _Elizabeth_, since it could have been no
very great Respect to the Memory of his Mistress, to have expos'd some
certain Parts of her Father's Life upon the Stage. He has dealt much
more freely with the Minister of that Great King, and certainly nothing
was ever more justly written, than the Character of Cardinal _Wolsey_.
He has shewn him Tyrannical, Cruel, and Insolent in his Prosperity; and
yet, by a wonderful Address, he makes his Fall and Ruin the Subject of
general Compassion. The whole Man, with his Vices and Virtues, is finely
and exactly describ'd in the second Scene of the fourth Act. The
Distresses likewise of Queen _Katherine_, in this Play, are very
movingly touch'd: and tho' the Art of the Poet has skreen'd King _Henry_
from any gross Imputation of Injustice, yet one is inclin'd to wish, the
Queen had met with a Fortune more worthy of her Birth and Virtue. Nor
are the Manners, proper to the Persons represented, less justly
observ'd, in those Characters taken from the _Roman_ History; and of
this, the Fierceness and Impatience of _Coriolanus_, his Courage and
Disdain of the common People, the Virtue and Philosophical Temper of
_Brutus_, and the irregular Greatness of Mind in _M. Antony_, are
beautiful Proofs. For the two last especially, you find 'em exactly as
they are describ'd by _Plutarch_, from whom certainly _Shakespear_
copy'd 'em. He has indeed follow'd his Original pretty close, and taken
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