Some Account of the Life of Mr. William Shakespear (1709) by Nicholas Rowe
page 35 of 48 (72%)
page 35 of 48 (72%)
|
in several little Incidents that might have been spar'd in a Play. But,
as I hinted before, his Design seems most commonly rather to describe those great Men in the several Fortunes and Accidents of their Lives, than to take any single great Action, and form his Work simply upon that. However, there are some of his Pieces, where the Fable is founded upon one Action only. Such are more especially, _Romeo_ and _Juliet_, _Hamlet_, and _Othello_. The Design in _Romeo_ and _Juliet_, is plainly the Punishment of their two Families, for the unreasonable Feuds and Animosities that had been so long kept up between 'em, and occasion'd the Effusion of so much Blood. In the management of this Story, he has shewn something wonderfully Tender and Passionate in the Love-part, and vary Pitiful in the Distress. _Hamlet_ is founded on much the same Tale with the _Electra_ of _Sophocles_. In each of 'em a young Prince is engag'd to Revenge the Death of his Father, their Mothers are equally Guilty, are both concern'd in the Murder of their Husbands, and are afterwards married to the Murderers. There is in the first Part of the _Greek_ Trajedy, something very moving in the Grief of _Electra_; but as Mr. _D'Acier_ has observ'd, there is something very unnatural and shocking in the Manners he has given that Princess and _Orestes_ in the latter Part. _Orestes_ embrues his Hands in the Blood of his own Mother; and that barbarous Action is perform'd, tho' not immediately upon the Stage, yet so near, that the Audience hear _Clytemnestra_ crying out to _Æghystus_ for Help, and to her Son for Mercy: While _Electra_, her Daughter, and a Princess, both of them Characters that ought to have appear'd with more Decency, stands upon the Stage and encourages her Brother in the Parricide. What Horror does this not raise! _Clytemnestra_ was a wicked Woman, and had deserv'd to Die; nay, in the truth of the Story, she was kill'd by her own Son; but to represent an Action of this Kind on the Stage, is certainly an Offence against those Rules of Manners proper to the Persons that ought to be observ'd there. |
|