have nothing very vital about it. Hebrew music was utterly
annihilated by laws, and the poetic imagination thus pent
up found its vent in poetry, the result being some of the
most wonderful works the world has ever known. In Egypt, this
current of inspiration from the very beginning was turned toward
architecture. In Greece, music became a mere stage accessory
or a subject for the dissecting table of mathematics; in China,
we have the dead level of an obstinate adherence to tradition,
thus proving Sir Thomas Browne's saying, "The mortallest enemy
unto knowledge, and that which hath done the greatest execution
upon truth, hath been a peremptory adhesion unto tradition,
and more especially the establishing of our own belief upon
the dictates of antiquity."

The Chinese theory is that there are eight different musical
sounds in nature, namely:

1. The sound of skin.
2. The sound of stone.
3. The sound of metal.
4. The sound of clay.
5. The sound of silk.
6. The sound of wood.
7. The sound of bamboo.
8. The sound of gourd.

The sound of skin has a number of varieties, all different
kinds of drums.

The sound of stone is held by the Chinese to be the most