rather better today butthat is only its cusssedussedness and because i have
been opening my shoul ders wenever we have come to an m; or should it be A
m? who can tell; little peculiuliarities like making indifferent m's are
very important & w£en one is bying a typewiter one s£ould make careful
enquiries about themc; because it is things of that sort wich so often give
criminals away. there is notHing a detective likes so much as a type riter
with an idiosxz an idioynq damit an idiotyncrasy . for instance if i commit
a murder i s£ould not thinq of writing a litter about it with this of all
typewriters becusa because that fool ofa £ would give me away at once I
daresay scotland Yard have got specimens of my trypewriting locked up in
some pigeonhole allready. if they £avent they ought to; it ought to be part
of my dosossier.

i thing the place of the hypewriter in ART is inshufficiently apreciated.
Modern art i understand is chiefly sumbolical expression and straigt lines.
a typwritr can do strait lines with the under lining mark) and there are
few more atractive symbols thaN the symbols i have used in this articel; i
merely thro out the sugestion

I dont tkink i shal do many more articles like this it is tooo much like
work? but I am glad I have got out of that £ habit;

A.P.£.

* * * * *

"PRISON FOR FLAT LANDLORDS."--_Evening Paper._

Good. But is nothing going to be done about the landlords with round
figures?