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Punch, or the London Charivari, Vol. 159, July 28th, 1920 by Various
page 9 of 58 (15%)
in£ustice . wen they come to WE ARE RUINED they burst out into red and wen
they come to WE w WOULD remIND YOU tHAT ATtHE LAST E£ECTION yoU UNDERTOOk
they burst into GReeN. thei r typists must enjoy doing those letters. with
this arrang ment of corse one coul d do allkinds of capital wallpapers. for
|nstance wat about a scheme of red £'s and black %'s and gReen &'s? this
sort of thing

£ % £ % £ % £ % £ %
& £ & £ & £ & £ & £
£ % £ % £ % £ % £ %
& £ & £ & £ & £ & £

Manya poor man would be glad to £ave that in his parLour ratherthan wat he
has got now. of corse, you wont be ab?e to apreciate the fulll bauty of the
design since i underst and that the retched paper which is going to print
this has no redink and no green inq either; so you must £ust immagine that
the £'s are red and the &'s are green. it is extroarordinarry (wat a t
erribleword!!!) how backward in MAny waYs these uptodate papers are
wwww¼¼¼¼¼¼½=¾ now how did that happen i wond er; i was experimenting with
the BACK SPACE key; if that is wat it is for i dont thinq i shall use it
again. iI wonder if i am impriving at this½ sometimes i thinq i am and so
metimes i thinq iam not . we have not had so many £'s lately but i notice
that theere have been one or two misplaced q's & icannot remember to write
i in capital s there it goes again.

Of curse the typewriter itself is not wolly giltless ½ike all mac&ines it
has amind of it sown and is of like passsions with ourselves. i could put
that into greek if only the machine was not so hopelessly MOdern. it 's
chief failing is that it cannot write m'sdecently and instead of h it will
keep putting that confounded £. as amatter of fact ithas been doing m's
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