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Punch, or the London Charivari, Vol. 159, July 28th, 1920 by Various
page 8 of 58 (13%)
though. on the other hand onceone £as got it down and has written anice nam
e in capitals like LLOYdgeORGE IT IS VERY DIFFICULT TO REmemBER TO PUT IT
DOWN AGAIN ANDTHE N YOU GET THIS SORT OF THING WICH SPOILS THE LOOOK OF THE
HOLE PAGE . or els insted of preSSing down the key marked CAP onepresses
down the key m arked FIG and then insted of LLOYDGEORGE you find that you
have written ½½96% :394:3. this is very dissheartening and £t is no wonder
that typists are sooften sououred in ther youth.

Apart fromthat though the key marked FIG is rather fun, since you can rite
such amusing things withit, things like % and [Symbol: face] and dear old &
not to mention = and ¼ and ¾ and!!! i find that inones ordinarry (i never
get that word right) cor orresponden£c one doesn't use expressions like @@
and % % % nearly enough. typewriting gives you a new ideaof possibilities
of the engli£h language; thE more i look at % the more beautiful it seems
to Be: and like the simple flowers of england itis per£aps most beauti£ul
when seeen in the masss, Look atit

% % % % % % % % % % % %
% % % % % % % % % % % %
% % % % % % % % % % % %
% % % % % % % % % % % %

how would thatdo for a BAThrooM wallpaper? it could be produced verery
cheaply and itcould be calld the CHER RYdesigN damn, imeant to put all that
in capitals. iam afraid this articleis spoilt now but butt bUt curse . But
perhaps the most excitingthing a£out this mac£ine is that you can by
presssing alittle switch suddenly writein redor green instead of in black;
I donvt understanh how £t is done butit is very jollY? busisisness men us e
the device a gre t deal wen writing to their membersof PARLIAment, in order
to emphasasise the pointin wich the£r in£ustice is worSe than anyone elses
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