Letters to Helen - Impressions of an Artist on the Western Front by Keith Henderson
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page 19 of 104 (18%)
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and Red Cross waggons and troops and dug-out camps. As we get closer the
signs of shelling get worse, and children are seen no longer. Old men, though, occasionally observed working in a field quite unperturbed. Rarely a French soldier or an interpreter with his sphinx badges. All this quite lost on Hunt, who has "quite got used to abroad, thank you, sir." He is eating chocolate or something, half a horse-length (the correct distance) behind me. Now on our left is a famous ridge, with a ruined village on the top. Not, you understand, a ridge in the Swiss sense, but rather in the Norfolk sense. I should like to go and see it, but it's too open to the Boche's eye, and I don't want to dismount yet. So we curve round right-handed a bit. Aha! "To ----." Nous voilà! Follow down this muddy track under cover of the ridge, and we arrive at ----. A wood just beyond the little town. Oh, mournful wood! "Bois épais, redouble ton ombre." But they say the anemones and the primroses were as merry and sweet as ever this spring. Bravo little wood! The village is, of course, evacuated by all inhabitants. The houses all in ruins. By now all the remaining windows have been boarded up and the blown-out doors barred against prying eyes. Here we are at an old estaminet called "Aux Coeurs joyeux." There's hardly anything but the sign left. At the cross-roads in the centre of the town is the church, so dismal. No roof, pillars broken and lying about the floor amongst débris of broken images, chairs, and muddy rubble. [Sidenote: PLOEGSTEERT] As I am coming out I turn over the hand of an image, and underneath it what the deuce is this? Why, a fragment of an old picture, torn and |
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