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Letters to Helen - Impressions of an Artist on the Western Front by Keith Henderson
page 20 of 104 (19%)
decaying away. What shall I do? Leave it to rot? Give it to ... Yes,
exactly ... to whom? And would anyone thank me for it? Just a head of
St. John, very battered and faded. It's a fragment about a foot square,
and through all the mud one can see something like this: A head of St.
John in the corner; rays of light (two very thin small rays) shining on
him, and a look of great suffering on his face. The background a sort of
dull ochre. Evidently once a large composition. There are two books, one
with EVAN, and the other with, I think, BIBLIA SACRA,
written on it. It is quite worthless except from a sentimental point of
view.

The exposure and the heat of the explosions have sadly cracked and
peeled the paint, but it seems vaguely symbolical. Near here I picked up
some minute bits of green glass.

However, there was a notice: "It is dangerous to loiter here." So I tore
myself away, and we remounted. The Boche can't see into the town
because of the remaining buildings, but the whole place is utterly
empty--not a dog even.

Soon the road to the next village _is_ exposed to the Boche's view.
Therefore canvas screens about 20 feet high have been erected, so that,
if necessary, troops, and even lorries, can hurry by. It is most
curious. "But for that thin bit of canvas, my good Swallow, you would
get something into your tummy you wouldn't like," I remarked. At that
moment the sun came out. We were keeping to the side of the road where
it is soft going. Suddenly Swallow leaped like a stag into the middle of
the road all over the _pavé_. Panic terror. He had seen the shadow of a
starling flit across his path!

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