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Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of Musical Performances by Friedrich Wieck
page 13 of 139 (09%)
DOMINIE. I hope you will always find it so.

BESSIE. When may I have another lesson?

DOMINIE. Day after to-morrow; at first, you must have at least three
lessons a week.

BESSIE. What shall I do in the next lesson?

DOMINIE. I shall repeat all that I have taught you to-day; but I shall
teach you a great deal of it in a different way, and every time I shall
teach it to you differently, so that it shall always be interesting to
you. In the next lesson we will begin to play, first on the table, and
at last on the piano. You will learn to move your fingers lightly and
loosely, and quite independently of the arm, though at first they will
be weak; and you will learn to raise them and let them fall properly.
Besides that, we will contrive a few exercises to teach you to make the
wrist loose, for that must be learned in the beginning in order to
acquire a fine touch on the piano; that is, to make the tones sound as
beautiful as possible. I shall show you how to sit at the piano and how
to hold your hands. You will learn the names of the black keys and the
scale of C, with the half-step from the 3d to the 4th and also that from
the 7th to the 8th, which latter is called the leading note, which leads
into C. (This is quite important for my method, for in this way the
different keys can be clearly explained.) You will learn to find the
chord of C in the bass and the treble, and to strike them with both
hands together. And then in the third or fourth lesson, after you know
quite perfectly all that I have already taught you, I will teach you to
play a little piece that will please you, and then you will really be a
player, a pianist.
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