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Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of Musical Performances by Friedrich Wieck
page 14 of 139 (10%)

FRIEND. From whom have you learned all this? It goes like the
lightning-train.

DOMINIE. A great many people can learn _what_ is to be taught; but
_how_ it is to be taught I have only found out by devoting my whole
mind, with real love and constant thought, to the musical improvement
and general mental development of my pupils. The advancement will
unquestionably be rapid, for it proceeds step by step, and one thing is
founded upon another; the pupil learns every thing quietly,
thoughtfully, and surely, without going roundabout, without any
hindrances and mistakes to be unlearned. I never try to teach too much
or too little; and, in teaching each thing, I try to prepare and lay the
foundation for other things to be afterwards learned. I consider it very
important not to try to cram the child's memory with the teacher's
wisdom (as is often done in a crude and harsh way); but I endeavor to
excite the pupil's mind, to interest it, and to let it develop itself,
and not to degrade it to a mere machine. I do not require the practice
of a vague, dreary, time and mind killing piano-jingling, in which way,
as I see, your little Susie was obliged to learn; but I observe a
musical method, and in doing this always keep strictly in view the
individuality and gradual development of the pupil. In more advanced
instruction, I even take an interest in the general culture and
disposition of the pupil, and improve every opportunity to call forth
the sense of beauty, and continually to aid in the intellectual
development.

FRIEND. But where are the notes all this time?

DOMINIE. Before that, we have a great deal to do that is interesting and
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