Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of Musical Performances by Friedrich Wieck
page 66 of 139 (47%)
page 66 of 139 (47%)
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(_Dominie wishes to take leave with his daughter._)
MRS. S. (_condescendingly_). I hope you will come to see us again soon. The next time Lizzie will play you Rosellen's "Tremolo;" and Miss Emma must play us a piece too. DOMINIE. You are extremely kind! (_Takes leave._) CHAPTER VIII. SINGING AND SINGING-TEACHERS. _(A Letter to a Young Lady Singer.)_ MY DEAR MISS ----,--You are endowed with an admirable gift for singing, and your agreeable though not naturally powerful voice has vivacity and youthful charm, as well as a fine tone: you also possess much talent in execution; yet you nevertheless share the lot of almost all your sisters in art, who, whether in Vienna, Paris, or Italy, find only teachers who are rapidly helping to annihilate the opera throughout Europe, and are ruling out of court the simple, noble, refined, and true art of singing. This modern, unnatural style of art, which merely aspires to superficial effects, and consists only in mannerisms, and which must ruin the voice in a short time, before it reaches its highest perfection, has already laid claim to you. It is scarcely possible to rescue your talent, unless, convinced that you have been falsely guided, you stop entirely |
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