History and Practice of the Art of Photography by Henry Hunt Snelling
page 34 of 134 (25%)
page 34 of 134 (25%)
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The prismatic impression on paper spread with the chloride of
silver is often very beautifully tinted, the intensity of color varying with the kind of muriate used. Spread paper with muriate of ammonia or baryta and you obtain a range of colors nearly corresponding with the natural hues of the prismatic spectrum. Under favorable circumstances the mean red ray, leaves a red impression, which passes into a green over the space occupied by the yellow rays. Above this a leaden hue is observed, and about the mean blue ray, where the action is greatest, it rapidly passes through brown into black, and through the most refrangible rays it gradually declines into a bluish brown, which tint is continued throughout the invisible rays. At the least refrangible end of the spectrum, the very remarkable phenomenon has been observed, of the extreme red rays exerting a protecting influence, and preserving the paper from that change, which it would otherwise undergo, under the influence of the dispersed light which always surrounds the spectrum. Not only the extreme red ray exerts this very peculiar property, but the ordinary red ray through nearly its whole length. In photographic drawing this salt is of the utmost importance. Mr. Talbot's application of it will be given hereafter in another portion of this work. IODIDE OF SILVER--Perfectly pure, undergoes very little change under the influence of light or heat; but if a very slight excess of the nitrate of silver be added it becomes infinitely more senitive than the chloride The spectrum impressed upon paper prepared with a weak solution of the hydriodate of potash presents some very remarkable peculiarities. |
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