as in _Julius Caesar_, and the resemblance of the two plays is decidedly
more marked than the difference. If Hamlet's soliloquies, considered
simply as compositions, show a great change from Jaques's speech, 'All
the world's a stage,' and even from the soliloquies of Brutus, yet
_Hamlet_ (for instance in the hero's interview with his mother) is like
_Julius Caesar_, and unlike the later tragedies, in the fulness of its
eloquence, and passages like the following belong quite definitely to
the style of the Second Period:

_Mar._ It faded on the crowing of the cock.
Some say that ever 'gainst that season comes
Wherein our Saviour's birth is celebrated,
The bird of dawning singeth all night long;
And then, they say, no spirit dare stir abroad;
The nights are wholesome; then no planets strike,
No fairy takes, nor witch hath power to charm,
So hallow'd and so gracious is the time.

_Hor._ So have I heard and do in part believe it.
But, look, the morn, in russet mantle clad,
Walks o'er the dew of yon high eastward hill.

This bewitching music is heard again in Hamlet's farewell to Horatio:

If thou didst ever hold me in thy heart,
Absent thee from felicity awhile,
And in this harsh world draw thy breath in pain,
To tell my story.

But after _Hamlet_ this music is heard no more. It is followed by a