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The Pianoforte Sonata - Its Origin and Development by J. S. (John South) Shedlock
page 55 of 217 (25%)
Saul could not expect any salvation. But God sometimes works wonders
among men. So he sends to him a noble musician, the excellent David,
and puts uncommon power into his harp-playing. For when Saul, so to
speak, is sweating in the hot bath of sadness, and David plays only
one little piece, the king is at once refreshed, and brought into a
state of repose.

Thus the sonata represents--

1. Saul's sadness and madness.

2. David's refreshing harp-playing, and

3. Tranquillity restored to the king's mind.




CHAPTER III

BERNARDO PASQUINI: A CONTEMPORARY OF J. KUHNAU


In the year 1637 was born at Massa de Valnevola (Tuscany) Bernardo
Pasquini,[48] who is said to have been one of the most distinguished
performers on the organ and also the harpsichord. He studied under
Loreto Vittori and Antonio Cesti, but his real master was evidently
Palestrina, whose scores young Bernardo studied with fervent zeal. He
was appointed organist of Santa Maria Maggiore, Rome, and, according
to the monument erected to his memory by his nephew, Bernardo
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