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The Pianoforte Sonata - Its Origin and Development by J. S. (John South) Shedlock
page 56 of 217 (25%)
Ricordati, and his pupil, Bernardo Gaffi, in the church of San Lorenzo
in Lucina of that city, the composer was for a time in the service of
Battista, Prince Borghese. The inscription runs thus:--

"D.O.M.

"Bernardo Pasquino Hetrusco e Massa Vallis Nevolæ Liberianæ Basilicæ
S.P.Q.R. Organedo viro probitate vitæ et moris lepore laudatissimo qui
Excell. Jo. Bap. Burghesii Sulmonensium Principis clientela et
munificentia honestatus musicis modulis apud omnes fere Europæ
Principes nominis gloriam adeptus anno sal. MDCCX. die XXII. Novembris
S. Ceciliæ sacro ab Humanis excessit ut cujus virtutes et studia
prosecutus fuerat in terris felicius imitaretur in coelis. Bernardus
Gaffi discipulus et Bernardus Ricordati ex sorore nepos præceptori et
avunculo amantissimo moerentes monumentum posuere. Vixit annos LXXII.
menses XI. dies XIV."

Pasquini enjoyed reputation as a dramatic composer, and the success of
an opera of his performed at the Teatro Capranica, Rome, during the
festivities in honour of Queen Christina of Sweden (1679), is
specially noted; or, according to Mendel, he wrote two successful
operas, one for the opening of the Teatro Capranica, and a second for
the festivals. He also wrote an oratorio: _La Sete di Christo_.
Pasquini died in the year 1710.

But, it will be asked, Why is he mentioned in a book which is
concerned with the sonata? It is known that he was a skilful performer
on the harpsichord, and some Toccatas and Suites of his appear to have
been published in a collection of clavier music at Amsterdam in 1704.
Fétis, in his _Biographie Universelle des Musiciens_, even states that
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