Ancient Art and Ritual by Jane Ellen Harrison
page 34 of 172 (19%)
page 34 of 172 (19%)
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To primitive man, as we have seen, beast and bird and plant and himself
were not sharply divided, and the periodicity of the seasons was for all. It will depend on man's social and geographical conditions whether he notices periodicity most in plants or animals. If he is nomadic he will note the recurrent births of other animals and of human children, and will connect them with the lunar year. But it is at once evident that, at least in Mediterranean lands, and probably everywhere, it is the periodicity of plants and vegetation generally which depends on moisture, that is most striking. Plants die down in the heat of summer, trees shed their leaves in autumn, all Nature sleeps or dies in winter, and awakes in spring. Sometimes it is the dying down that attracts most attention. This is very clear in the rites of Adonis, which are, though he rises again, essentially rites of lamentation. The details of the ritual show this clearly, and specially as already seen in the cult of Osiris. For the "gardens" of Adonis the women took baskets or pots filled with earth, and in them, as children sow cress now-a-days, they planted wheat, fennel, lettuce, and various kinds of flowers, which they watered and tended for eight days. In hot countries the seeds sprang up rapidly, but as the plants had no roots they withered quickly away. At the end of the eight days they were carried out with the images of the dead Adonis and thrown with them into the sea or into springs. The "gardens" of Adonis became the type of transient loveliness and swift decay. * * * * * "What waste would it be," says Plutarch,[9] "what inconceivable waste, for God to create man, had he not an immortal soul. He would be like the women who make little gardens, not less pleasant than the gardens of |
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