Ancient Art and Ritual by Jane Ellen Harrison
page 35 of 172 (20%)
page 35 of 172 (20%)
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Adonis in earthen pots and pans; so would our souls blossom and flourish
but for a day in a soft and tender body of flesh without any firm and solid root of life, and then be blasted and put out in a moment." Celebrated at midsummer as they were, and as the "gardens" were thrown into water, it is probable that the rites of Adonis may have been, at least in part, a rain-charm. In the long summer droughts of Palestine and Babylonia the longing for rain must often have been intense enough to provoke expression, and we remember (p. 19) that the Sumerian Tammuz was originally _Dumuzi-absu_, "True Son of the Waters." Water is the first need for vegetation. Gardens of Adonis are still in use in the Madras Presidency.[10] At the marriage of a Brahman "seeds of five or nine sorts are mixed and sown in earthen pots which are made specially for the purpose, and are filled with earth. Bride and bridegroom water the seeds both morning and evening for four days; and on the fifth day the seedlings are thrown, like the real gardens of Adonis, into a tank or river." Seasonal festivals with one and the same intent--the promotion of fertility in plants, animals and man--may occur at almost any time of the year. At midsummer, as we have seen, we may have rain-charms; in autumn we shall have harvest festivals; in late autumn and early winter among pastoral peoples we shall have festivals, like that of Martinmas, for the blessing and purification of flocks and herds when they come in from their summer pasture. In midwinter there will be a Christmas festival to promote and protect the sun's heat at the winter solstice. But in Southern Europe, to which we mainly owe our drama and our art, the festival most widely celebrated, and that of which we know most, is the Spring Festival, and to that we must turn. The spring is to the Greek of to-day the "ánoixis," "the Opening," and it was in spring and |
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