Ancient Art and Ritual by Jane Ellen Harrison
page 54 of 172 (31%)
page 54 of 172 (31%)
|
is as curious as significant.
Pindar, in one of his Odes, asks a strange question: "Whence did appear the Graces of Dionysos, With the Bull-driving Dithyramb?" Scholars have broken their own heads and one another's to find a meaning and an answer to the odd query. It is only quite lately that they have come at all to see that the Dithyramb was a Spring Song, a primitive rite. Formerly it was considered to be a rather elaborate form of lyric poetry invented comparatively late. But, even allowing it is the Spring Song, are we much further? Why should the Dithyramb be bull-driving? How can driving a Bull help the spring to come? And, above all, what are the "slender-ankled" Graces doing, helping to drive the great unwieldy Bull? The difficulty about the Graces, or Charites, as the Greeks called them, is soon settled. They are the Seasons, or "Hours," and the chief Season, or Hour, was Spring herself. They are called Charites, or Graces, because they are, in the words of the Collect, the "Givers of all grace," that is, of all increase physical and spiritual. But why do they want to come driving in a Bull? It is easy to see why the Givers of all grace lead the Dithyramb, the Spring Song; their coming, with their "fruits in due season" is the very gist of the Dithyramb; but why is the Dithyramb "bull-driving"? Is this a mere "poetical" epithet? If it is, it is not particularly poetical. But Pindar is not, we now know, merely being "poetical," which amounts, according to some scholars, to meaning anything or nothing. He is describing, alluding to, an actual rite or _dromenon_ in which a Bull is |
|