Ancient Art and Ritual by Jane Ellen Harrison
page 55 of 172 (31%)
page 55 of 172 (31%)
|
summoned and driven to come in spring. About that we must be clear.
Plutarch, the first anthropologist, wrote a little treatise called _Greek Questions_, in which he tells us all the strange out-of-the-way rites and customs he saw in Greece, and then asks himself what they meant. In his 36th _Question_ he asks: "Why do the women of Elis summon Dionysos in their hymns to be present with them with his bull-foot?" And then, by a piece of luck that almost makes one's heart stand still, he gives us the very words of the little ritual hymn the women sang, our earliest "Bull-driving" Spring Song: "In Spring-time,[25] O Dionysos, To thy holy temple come; To Elis with thy Graces, Rushing with thy bull-foot, come, Noble Bull, Noble Bull." It is a strange primitive picture--the holy women standing in springtime in front of the temple, summoning the Bull; and the Bull, garlanded and filleted, rushing towards them, driven by the Graces, probably three real women, three Queens of the May, wreathed and flower-bedecked. But what does it mean? Plutarch tries to answer his own question, and half, in a dim, confused fashion, succeeds. "Is it," he suggests, "that some entitle the god as 'Born of a Bull' and as a 'Bull' himself? ... or is it that many hold the god is the beginner of sowing and ploughing?" We have seen how a kind of _daimon_, or spirit, of Winter or Summer arose from an actual tree or maid or man disguised year by year as a tree. Did the god Dionysos take his rise in like fashion from the driving and summoning year by year of some holy Bull? |
|