Ancient Art and Ritual by Jane Ellen Harrison
page 68 of 172 (39%)
page 68 of 172 (39%)
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Coming Out. A girl's dress is suddenly lengthened, her hair is put up,
she is allowed to wear jewels, she kisses her sovereign's hand, a dance is given in her honour; abruptly, from her seclusion in the cocoon state of the schoolroom, she emerges full-blown into society. But the custom, with its half-realized savagery, is already dying, and with boys it does not obtain at all. Both sexes share, of course, the religious rite of Confirmation. To avoid harsh distinctions, to bridge over abrupt transitions, is always a mark of advancing civilization; but the savage, in his ignorance and fear, lamentably over-stresses distinctions and transitions. The long process of education, of passing from child to man, is with him condensed into a few days, weeks, or sometimes months of tremendous educational emphasis--of what is called "initiation," "going in," that is, entering the tribe. The ceremonies vary, but the gist is always substantially the same. The boy is to put away childish things, and become a grown and competent tribesman. Above all he is to cease to be a woman-thing and become a man. His initiation prepares him for his two chief functions as a tribesman--to be a warrior, to be a father. That to the savage is the main if not the whole Duty of Man. This "initiation" is of tremendous importance, and we should expect, what in fact we find, that all this emotion that centres about it issues in _dromena_, "rites done." These rites are very various, but they all point one moral, that the former things are passed away and that the new-born man has entered on a new life. Simplest perhaps of all, and most instructive, is the rite practised by the Kikuyu of British East Africa,[30] who require that every boy, just before circumcision, must be born again. "The mother stands up with the |
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