Ancient Art and Ritual by Jane Ellen Harrison
page 69 of 172 (40%)
page 69 of 172 (40%)
![]() | ![]() |
|
boy crouching at her feet; she pretends to go through all the labour
pains, and the boy on being reborn cries like a babe and is washed." More often the new birth is simulated, or imagined, as a death and a resurrection, either of the boys themselves or of some one else in their presence. Thus at initiation among some tribes of South-east Australia,[31] when the boys are assembled an old man dressed in stringy bark fibre lies down in a grave. He is covered up lightly with sticks and earth, and the grave is smoothed over. The buried man holds in his hand a small bush which seems to be growing from the ground, and other bushes are stuck in the ground round about. The novices are then brought to the edge of the grave and a song is sung. Gradually, as the song goes on, the bush held by the buried man begins to quiver. It moves more and more and bit by bit the man himself starts up from the grave. The Fijians have a drastic and repulsive way of simulating death. The boys are shown a row of seemingly dead men, their bodies covered with blood and entrails, which are really those of a dead pig. The first gives a sudden yell. Up start the men, and then run to the river to cleanse themselves. Here the death is vicarious. Another goes through the simulated death that the initiated boy may have new life. But often the mimicry is practised on the boys themselves. Thus in West Ceram[32] boys at puberty are admitted to the Kakian association. The boys are taken blindfold, followed by their relations, to an oblong wooden shed under the darkest trees in the depths of the forest. When all are assembled the high priest calls aloud on the devils, and immediately a hideous uproar is heard from the shed. It is really made by men in the shed with bamboo trumpets, but the women and children think it is the devils. Then the |
|