Book-bot.com - read famous books online for free

A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth. - Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 467-522 by Frank Hamilton Cushing
page 18 of 59 (30%)


POTTERY SUGGESTED BY CLAY-LINED BASKETRY.

This would suggest the agency of gradual heat in rendering clay fit
for use in cookery and preferable to any previous makeshift. The
modern Zuñi name for a parching-pan, which is a shallow bowl of
black-ware, is _thlé mon ne_, the name for a basket-tray being _thlä´
lin ne_. The latter name signifies a shallow vessel of twigs, or _thlá
we_; the former etymologically interpreted, although of earthenware,
is a hemispherical vessel of the same kind and _material_. All this
would indicate that the _thlä´ lin ne_, coated with clay for roasting,
had given birth to the _thlé mon ne_, or parching-pan of earthenware.
(See Fig. 502.)

[Illustration: FIG. 502.--Zuñi earthenware roasting tray.]

Among the Havasupaí, still surviving as a sort of bucket, is the
basket-pot or boiling-basket, for use with hot stones, which form I
have also found in some of the cave deposits throughout the ancient
Zuñi country. These vessels (see Fig. 503) were bottle-shaped and
provided near the rims of their rather narrow mouths with a sort of
cord or strap-handle, attached to two loops or eyes (Fig. 503 _a_)
woven into the basket, to facilitate handling when the vessel was
filled with hot water. In the manufacture of one of these vessels,
which are good examples of the helix or spirally-coiled type of
basket, the beginning was made at the center of the bottom. A small
wisp of fine, flexible grass stems or osiers softened in water was
first spirally wrapped a little at one end with a flat, limber splint
of tough wood, usually willow (see Fig. 504). This wrapped portion was
DigitalOcean Referral Badge