A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth. - Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 467-522 by Frank Hamilton Cushing
page 19 of 59 (32%)
page 19 of 59 (32%)
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then wound upon itself; the outer coil thus formed (see Fig. 505)
being firmly fastened as it progressed to the one already made by passing the splint wrapping of the wisp each time it was wound around the latter through some strands of the contiguous inner coil, with the aid of a bodkin. (See Fig. 506.) The bottom was rounded upward and the sides were made by coiling the wisp higher and higher, first outward, to produce the bulge of the vessel, then inward, to form the tapering upper part and neck, into which, the two little twigs or splint loop-eyes were firmly woven. (See again Fig. 503 _a_.) [Illustration: FIG. 503.--Havasupaà boiling-basket.] [Illustration: FIG. 504. FIG. 505. FIG. 506. Sketches illustrating manufacture of spirally-coiled basketry.] [Illustration: FIG. 507.--Typical basket decoration.] [Illustration: FIG. 508.--Typical basket decoration.] [Illustration: FIG. 509.--Typical basket decoration.] These and especially kindred forms of basket-vessels were often quite elaborately ornamented, either by the insertion at proper points of dyed wrapping-splints, singly, in pairs, or in sets, or by the alternate painting of pairs, sets, or series of stitches. Thus were produced angular devices, like serrated bands, diagonal or zigzag lines, chevrons, even terraces and frets. (See Figs. 507, 508, 509.) There can be no doubt that these styles and ways of decoration were developed, along with the weaving of baskets, simply by elaborating on |
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