A Study of Pueblo Pottery as Illustrative of Zuñi Culture Growth. - Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 467-522 by Frank Hamilton Cushing
page 21 of 59 (35%)
page 21 of 59 (35%)
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Terraced lozenge decoration, or
"double-splint-stitch-forms."] [Illustration: FIG. 512. FIG. 513. Double-splint-stitch.] [Illustration: FIG. 514.--Diagonal parallel-line decoration.] [Illustration: FIG. 515.--Splints at neck of unfinished basket.] [Illustration: FIG. 516. FIG. 517. Examples of indented decoration on corrugated ware.] [Illustration: FIG. 518.--Cooking-pot of corrugated ware, showing conical projections near rim. _Pueblo coiled pottery developed from basketry._--Seizing the suggestion afforded by the rude tray-molded parching-bowls, particularly after it was discovered that if well burned they resisted the effects of water as well as of heat, the ancient potter would naturally attempt in time to reproduce the boiling-basket in clay. She would find that to accomplish this she could not use as a mold the inside of the boiling-basket, as she had the inside of the tray, because its neck was smaller than its body. Nor could she form the vase by plastering the clay outside of the vessel, not only for the same reason, but also because the clay in drying would contract so much that it would crack or scale off. Naturally, then, she pursued the process she was accustomed to in the manufacture of the basket-bottle. That is, she formed a thin rope of soft clay, which, like the wisp of the basket, she coiled around and around a center to |
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