with the Leipzig Conservatorium.--Death in 1870.--Moscheles as Pianist
and Composer.--Sympathy with the Old as against the New School of the
Piano.--His Powerful Influence on the Musical Culture and Tendencies of
his Age.


THE SCHUMANNS AND CHOPIN.

Robert Schumann's Place as a National Composer.--Peculiar Greatness as
a Piano-forte Composer.--Born at Zwickau in 1810.--His Father's
Aversion to his Musical Studies.--Becomes a Student of Jurisprudence
in Leipzig.--Makes the Acquaintance of Clara Wieck.--Tedium of his Law
Studies.--Vacation Tour to Italy.--Death of his Father, and Consent
of his Mother to Schumann adopting the Profession of Music.--Becomes
Wieck's Pupil.--Injury to his Hand which prevents all Possibilities of
his becoming a Great Performer.--Devotes himself to Composition.--The
Child, Clara Wieck--Remarkable Genius as a Player.--Her Early
Training.--Paganini's Delight in her Genius.--Clara Wieck's
Concert Tours.--Schumann falls deeply in Love with her, and
Wieck's Opposition.--His Allusions to Clara in the "Neue
Zeit-schrift."--Schumann at Vienna.--His Compositions at first
Unpopular, though played by Clara Wieck and Liszt.--Schumann's Labors
as a Critic.--He marries Clara in 1840.--His Song Period inspired by
his Wife.--Tour to Russia, and Brilliant Reception given to the
Artist Pair.--The "Neue Zeitschrift" and its Mission.--The
Davidsbund.--Peculiar Style of Schumann's Writing.--He moves to
Dresden.--Active Production in Orchestral Composition.--Artistic Tour in
Holland.--He is seized with Brain Disease.--Characteristics as a Man,
as an Artist, and as a Philosopher.--Mme. Schumann as her Husband's
Interpreter.--Chopin a Colaborer with Schumann.--Schumann on Chopin