again.--Chopin's Nativity.--Exclusively a Piano-forte Composer.--His
Genre as Pianist and Composer.--Aversion to Concert-giving.--Parisian
Associations.--New Style of Technique demanded by his Works.--Unique
Treatment of the Instrument.--Characteristics of Chopin's Compositions.


THALBERG AND GOTTSCHALK.

Thalberg one of the Greatest of Executants.--Rather a Man of Remarkable
Talents than of Genius.--Moseheles's Description of him.--The
Illegitimate Son of an Austrian Prince.--Early Introduction to
Musical Society in London and Vienna.--Beginning of his Career as a
Virtuoso.--The Brilliancy of his Career.--Is appointed Court Pianist to
the Emperor of Austria.--His Marriage.--Visits to America.--Thalberg's
Artistic Idiosyncrasy.--Robert Schumann on his Playing.--His Appearance
and Manner.--Characterization by George William Curtis.--Thalberg's
Style and Worth as an Artist.--His Piano-forte Method, and Place as a
Composer for the Piano.--Gottschalk's Birth and Early Years.--He is sent
to Paris for Instruction.--Successful _Début_ and Publie Concerts
in Paris and Tour through the French Cities.--Friendship with
Berlioz.--Concert Tour to Spain.--Romantic Experiences.--Berlioz on
Gottschalk.--Reception of Gottschalk in America.--Criticism of his
Style.--Remarkable Success of his Concerts.--His Visit to the West
Indies, Mexico, and Central America.--Protracted Absence.--Gottschalk
on Life in the Tropics.--Return to the United States.--Three Brilliant
Musical Years.--Departure for South America.--Triumphant Procession
through the Spanish-American Cities.--Death at Rio Janeiro.--Notes on
Gottschalk as Man and Artist.