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Contribution to Passamaquoddy Folk-Lore by J. Walter Fewkes
page 41 of 43 (95%)

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Since the above was written, I have spent some time at Zuñi Pueblo,
New Mexico, during which my studies of aboriginal language with the
phonograph were continued. While it is too early to state the exact
value of the records obtained, it may be interesting to know that I
have succeeded in obtaining some important specimens of the songs,
stories, and prayers of this tribe in the course of the summer. The
songs of the sacred dances of the Zuñians are particularly adapted to
successful recording with the phonograph. Of these there were obtained
several so-called _Ko-ko_ songs, such as are sung in the _Kor-kok-shi_
or rain dances. The song sung at the _Ham-po-ney_, an ancient dance
celebrated every eight or ten years by the women, was also obtained
from one of the participants. This dance, an elaborate corn-dance, is
said to be an ancient ceremony, and is, next in importance to the
dedication of the houses, one of the most striking events in the
Zuñian calendar. The rarity of its performance, and the possibility
that when next performed it may be greatly modified, give a unique
value to this record.

The most important of the ceremonies of the winter at Zuñi Pueblo is
undoubtedly the _Sha-la-ko_, at which certain of the houses to the
number of seven, which have been built during the past year, are
dedicated. The song and prayer of the _Sha-la-ko_ was sung for me into
the phonograph by one of the Zuñians, who had, as I was told, taken
part in the celebration a few years ago.

Among other interesting records may be mentioned the prayer of the
hunter to his fetish when on the hunt; and that of the Priest of the
DigitalOcean Referral Badge