The Story of the Hymns and Tunes by Theron Brown;Hezekiah Butterworth
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page 17 of 619 (02%)
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Precentor's side.
Henry Smart was one of the five great English composers that followed our American Mason. He was born in London, Oct. 25, 1812, and chose music for a profession in preference to an offered commission in the East Indian army. His talent as a composer, especially of sacred music, was marvellous, and, though he became blind, his loss of sight was no more hindrance to his genius than loss of hearing to Beethoven. No composer of his time equalled Henry Smart as a writer of music for female voices. His cantatas have been greatly admired, and his hymn tunes are unsurpassed for their purity and sweetness, while his anthems, his oratorio of "Jacob," and indeed all that he wrote, show the hand and the inventive gift of a great musical artist. He died July 10, 1879, universally mourned for his inspired work, and his amiable character. "ALL GLORY, LAUD AND HONOR." _Gloria, Laus et Honor._ This stately Latin hymn of the early part of the 9th century was composed in A.D. 820, by Theodulph, Bishop of Orleans, while a captive in the cloister of Anjou. King Louis (le Debonnaire) son of Charlemagne, had trouble with his royal relatives, and suspecting Theodulph to be in sympathy with them, shut him up in prison. A pretty story told by Clichtovius, an old church writer of A.D. 1518, relates how on Palm Sunday the king, celebrating the feast with his people, passed in procession before the cloister, where the face of the venerable prisoner |
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