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The Story of the Hymns and Tunes by Theron Brown;Hezekiah Butterworth
page 17 of 619 (02%)
Precentor's side.

Henry Smart was one of the five great English composers that followed
our American Mason. He was born in London, Oct. 25, 1812, and chose
music for a profession in preference to an offered commission in the
East Indian army. His talent as a composer, especially of sacred music,
was marvellous, and, though he became blind, his loss of sight was no
more hindrance to his genius than loss of hearing to Beethoven.

No composer of his time equalled Henry Smart as a writer of music for
female voices. His cantatas have been greatly admired, and his hymn
tunes are unsurpassed for their purity and sweetness, while his anthems,
his oratorio of "Jacob," and indeed all that he wrote, show the hand and
the inventive gift of a great musical artist.

He died July 10, 1879, universally mourned for his inspired work, and
his amiable character.


"ALL GLORY, LAUD AND HONOR."
_Gloria, Laus et Honor._

This stately Latin hymn of the early part of the 9th century was
composed in A.D. 820, by Theodulph, Bishop of Orleans, while a captive
in the cloister of Anjou. King Louis (le Debonnaire) son of Charlemagne,
had trouble with his royal relatives, and suspecting Theodulph to be in
sympathy with them, shut him up in prison. A pretty story told by
Clichtovius, an old church writer of A.D. 1518, relates how on Palm
Sunday the king, celebrating the feast with his people, passed in
procession before the cloister, where the face of the venerable prisoner
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