witnessed before. And the effect of the groups of multitudinous
actors in this busy cheerful drama is heightened, as it were, by
the decorations of the stage. The sky is delightfully brilliant;
all the houses and ornaments are stately; castle and palaces are
rising all around; and the flag, towers, and walls of Fort St. Elmo
look as fresh and magnificent as if they had been erected only
yesterday.

The Strada Reale has a much more courtly appearance than that one
described. Here are palaces, churches, court-houses and libraries,
the genteel London shops, and the latest articles of perfumery.
Gay young officers are strolling about in shell-jackets much too
small for them: midshipmen are clattering by on hired horses;
squads of priests, habited after the fashion of Don Basilio in the
opera, are demurely pacing to and fro; professional beggars run
shrieking after the stranger; and agents for horses, for inns, and
for worse places still, follow him and insinuate the excellence of
their goods. The houses where they are selling carpet-bags and
pomatum were the palaces of the successors of the goodliest company
of gallant knights the world ever heard tell of. It seems
unromantic; but THESE were not the romantic Knights of St. John.
The heroic days of the Order ended as the last Turkish galley
lifted anchor after the memorable siege. The present stately
houses were built in times of peace and splendour and decay. I
doubt whether the Auberge de Provence, where the "Union Club"
flourishes now, has ever seen anything more romantic than the
pleasant balls held in the great room there.

The Church of St. John, not a handsome structure without, is
magnificent within: a noble hall covered with a rich embroidery of