gilded carving, the chapels of the different nations on either
side, but not interfering with the main structure, of which the
whole is simple, and the details only splendid; it seemed to me a
fitting place for this wealthy body of aristocratic soldiers, who
made their devotions as it were on parade, and, though on their
knees, never forgot their epaulets or their quarters of nobility.
This mixture of religion and worldly pride seems incongruous at
first; but have we not at church at home similar relics of feudal
ceremony?--the verger with the silver mace who precedes the vicar
to the desk; the two chaplains of my Lord Archbishop, who bow over
his Grace as he enters the communion-table gate; even poor John,
who follows my Lady with a coroneted prayer-book, and makes his
conge as he hands it into the pew. What a chivalrous absurdity is
the banner of some high and mighty prince, hanging over his stall
in Windsor Chapel, when you think of the purpose for which men are
supposed to assemble there! The Church of the Knights of St. John
is paved over with sprawling heraldic devices of the dead gentlemen
of the dead Order; as if, in the next world, they expected to take
rank in conformity with their pedigrees, and would be marshalled
into heaven according to the orders of precedence. Cumbrous
handsome paintings adorn the walls and chapels, decorated with
pompous monuments of Grand Masters. Beneath is a crypt, where more
of these honourable and reverend warriors lie, in a state that a
Simpson would admire. In the altar are said to lie three of the
most gallant relics in the world: the keys of Acre, Rhodes, and
Jerusalem. What blood was shed in defending these emblems! What
faith, endurance, genius, and generosity; what pride, hatred,
ambition, and savage lust of blood were roused together for their
guardianship!