Penelope's Postscripts by Kate Douglas Smith Wiggin
page 48 of 119 (40%)
page 48 of 119 (40%)
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attended with any more difficulty than the immersing of one's self
in a study day after day and month after month learning the irregular verbs from a grammar. My rule in studying a language is to seize upon some salient point, or one generally overlooked by foreigners, or some very subtle one known only to the scholar, and devote myself to its mastery. A little knowledge here blinds the hearer to much ignorance elsewhere. In Italian, for example, the polite way of addressing one's equal is to speak in the third person singular, using Ella (she) as the pronoun. "Come sta Ella?" (How are you? but literally "How is she?") I pay great attention to this detail, and make opportunities to meet our padrona on the staircase and say "How is she?" to her. I can never escape the feeling that I am inquiring for the health of an absent person; moreover, I could not understand her symptoms if she should recount them, and I have no language in which to describe my own symptoms, which, so far as I have observed, is the only reason we ever ask anybody else how he feels. To remember on the instant whether one is addressing equals, superiors, or inferiors, and to marshal hastily the proper pronoun, adds a new terror to conversation, so that I find myself constantly searching my memory to decide whether it shall be: Scusate or Scusi, Avanti or Passi, A rivederci or Addio, Che cosa dite? or Che coma dice? Quanto domandate? or Quanto domanda? Dove andate? or Dove va? Come vi chiamate? or Come si chiama? and so forth and so forth until one's mind seems to be arranged in |
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