Penelope's Postscripts by Kate Douglas Smith Wiggin
page 49 of 119 (41%)
page 49 of 119 (41%)
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tabulated columns, with special N.B.'s to use the infinitive in
talking to the gondolier. Finding the hours of time rather puzzling as recorded in the "Study of Italian Made Easy," I devoted twenty-four hours to learning how to say the time from one o'clock at noon to midnight, or thirteen to twenty-three o'clock. My soul revolted at the task, for a foreign tongue abounds in these malicious little refinements of speech, invented, I suppose, to prevent strangers from making too free with it on short acquaintance. I found later on that my labour had been useless, and that evidently the Italians themselves have no longer the leisure for these little eccentricities of language and suffer them to pass from common use. If the Latin races would only meet in convention and agree to bestow the comfortable neuter gender on inanimate objects and commodities, how popular they might make themselves with the English-speaking nations; but having begun to "enrich" their language, and make it more "subtle" by these perplexities, centuries ago, they will no doubt continue them until the end of time. If one has been a devoted patron of the opera or student of music, one has an Italian vocabulary to begin with. This, if accompanied by the proper gestures (for it is vain to speak without liberal movements, of the hands, shoulders, and eyebrows), this, I maintain, will deceive all the English-speaking persons who may be seated near your table in a foreign cafe. The very first evening after our arrival, Jack Copley asked Salemina and me to dine with him at the best restaurant in Venice. Jack Copley is a well of nonsense undefiled, and he, like |
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