Elinor Wyllys, Volume 1 by Susan Fenimore Cooper
page 65 of 322 (20%)
page 65 of 322 (20%)
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Charlie an upright, prosperous merchant; and now that his
prospects were brightening, and a situation was provided for him, that he should be only a painter! She had a very low opinion of artists, as a class, and she would almost as soon have expected Charlie to become a play-actor, or a circus-rider. When the boy found that both Uncle Josie and Uncle Dozie thought his idea a very foolish one, that Miss Patsey was very much distressed, and Mrs. Hubbard could not be made to comprehend the difference between an artist and a house-painter, he again abandoned his own cherished plans, and resumed his commercial studies. Unfortunately, one day, Elinor was choosing a book as a present for her old play-fellow, at a bookstore in Philadelphia, when she laid her hand on the Lives of the Painters. These volumes finally upset Charlie's philosophy; he immediately set to work to convince Miss Patsey and Uncle Josie, by extracts from the different lives, that it was very possible to be a good and respectable man, and not only support himself, but make a fortune, as an artist. Of course, he took care to skip over all unpleasant points, and bad examples; but when he came to anything creditable, he made a note of it--and, one day, pursued Miss Patsey into the cellar, to read to her the fact that Reubens had been an ambassador. {"Reubens" = Peter Paul Rubens (1577-1640), famous Flemish painter, who served as a diplomat in Spain from 1626-30} Miss Patsey confided her anxieties to Mr. Wyllys, who was already aware of Charlie's propensities, and, indeed, thought them promising. He advised Mrs. Hubbard and Patsey, not to oppose the boy's wishes so strongly, but to give him an opportunity of |
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