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Elinor Wyllys, Volume 1 by Susan Fenimore Cooper
page 65 of 322 (20%)
Charlie an upright, prosperous merchant; and now that his
prospects were brightening, and a situation was provided for him,
that he should be only a painter! She had a very low opinion of
artists, as a class, and she would almost as soon have expected
Charlie to become a play-actor, or a circus-rider. When the boy
found that both Uncle Josie and Uncle Dozie thought his idea a
very foolish one, that Miss Patsey was very much distressed, and
Mrs. Hubbard could not be made to comprehend the difference
between an artist and a house-painter, he again abandoned his own
cherished plans, and resumed his commercial studies.
Unfortunately, one day, Elinor was choosing a book as a present
for her old play-fellow, at a bookstore in Philadelphia, when she
laid her hand on the Lives of the Painters. These volumes finally
upset Charlie's philosophy; he immediately set to work to
convince Miss Patsey and Uncle Josie, by extracts from the
different lives, that it was very possible to be a good and
respectable man, and not only support himself, but make a
fortune, as an artist. Of course, he took care to skip over all
unpleasant points, and bad examples; but when he came to anything
creditable, he made a note of it--and, one day, pursued Miss
Patsey into the cellar, to read to her the fact that Reubens had
been an ambassador.

{"Reubens" = Peter Paul Rubens (1577-1640), famous Flemish
painter, who served as a diplomat in Spain from 1626-30}

Miss Patsey confided her anxieties to Mr. Wyllys, who was already
aware of Charlie's propensities, and, indeed, thought them
promising. He advised Mrs. Hubbard and Patsey, not to oppose the
boy's wishes so strongly, but to give him an opportunity of
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