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Unbeaten Tracks in Japan by Isabella L. (Isabella Lucy) Bird
page 9 of 383 (02%)
body, an adjustable hood of oiled paper, a velvet or cloth lining
and cushion, a well for parcels under the seat, two high slim
wheels, and a pair of shafts connected by a bar at the ends. The
body is usually lacquered and decorated according to its owner's
taste. Some show little except polished brass, others are
altogether inlaid with shells known as Venus's ear, and others are
gaudily painted with contorted dragons, or groups of peonies,
hydrangeas, chrysanthemums, and mythical personages. They cost
from 2 pounds upwards. The shafts rest on the ground at a steep
incline as you get in--it must require much practice to enable one
to mount with ease or dignity--the runner lifts them up, gets into
them, gives the body a good tilt backwards, and goes off at a smart
trot. They are drawn by one, two, or three men, according to the
speed desired by the occupants. When rain comes on, the man puts
up the hood, and ties you and it closely up in a covering of oiled
paper, in which you are invisible. At night, whether running or
standing still, they carry prettily-painted circular paper lanterns
18 inches long. It is most comical to see stout, florid, solid-
looking merchants, missionaries, male and female, fashionably-
dressed ladies, armed with card cases, Chinese compradores, and
Japanese peasant men and women flying along Main Street, which is
like the decent respectable High Street of a dozen forgotten
country towns in England, in happy unconsciousness of the
ludicrousness of their appearance; racing, chasing, crossing each
other, their lean, polite, pleasant runners in their great hats
shaped like inverted bowls, their incomprehensible blue tights, and
their short blue over-shirts with badges or characters in white
upon them, tearing along, their yellow faces streaming with
perspiration, laughing, shouting, and avoiding collisions by a mere
shave.
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