It was these lines that raised the ire of Byron, who regarded them
as an irreverent assault upon his favorite poet, Pope.
In the controversy occasioned by the Rev. W. L. Bowles's strictures
on the Life and Writings of Pope, Byron perversely asks,
"Where is the poetry of which one-half is good? Is it the Aeneid?
Is it Milton's? Is it Dryden's? Is it any one's except Pope's
and Goldsmith's, of which ALL is good?"

In the first quarter of the nineteenth century, the spiritual flow
which, as I have said, set in about the middle of
the eighteenth century, and received its first great impulse
from William Cowper, reached its high tide in Wordsworth, Coleridge,
Shelley, Keats, Southey, and Byron. These poets were all,
more or less, influenced by that great moral convulsion,
the French revolution, which stirred men's souls to their
deepest depths, induced a vast stimulation of the meditative faculties,
and contributed much toward the unfolding of the ideas
"on man, on nature, and on human life", which have since
so vitalized English poetry. *

--
* "The agitation, the frenzy, the sorrow of the times,
reacted upon the human intellect, and FORCED men into meditation.
Their own nature was held up before them in a sterner form.
They were compelled to contemplate an ideal of man, far more colossal
than is brought forward in the tranquil aspects of society;
and they were often engaged, whether they would or not,
with the elementary problems of social philosophy. Mere danger
forced a man into thoughts which else were foreign to his habits.