An Introduction to the Study of Robert Browning's Poetry by Robert Browning
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page 28 of 525 (05%)
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Mere necessity of action forced him to decide."
-- Thomas De Quincey's `Essay on Style'. -- Wordsworth exhibited in his poetry, as they had never before been exhibited, the permanent absolute relations of nature to the human spirit, interpreted the relations between the elemental powers of creation and the moral life of man, and vindicated the inalienable birthright of the lowliest of men to those inward "oracles of vital deity attesting the Hereafter." Wordsworth's poetry is, in fact, so far as it bears upon the natural world, a protest against the association theory of beauty of the eighteenth century -- a theory which was an offshoot of the philosophy of Locke, well characterized by Macvicar, in his `Philosophy of the Beautiful' (Introd., pp. xv., xvi), as "an ingenious hypothesis for the close of the eighteenth century, when the philosophy then popular did not admit, as the ground of any knowledge, anything higher than self-repetition and the transformation of sensations." Coleridge's `Rime of the Ancient Mariner' is an imaginative expression of that divine love which embraces all creatures, from the highest to the lowest, of the consequences of the severance of man's soul from this animating principle of the universe, and of those spiritual threshings by and through which it is brought again under its blessed influence. In his `Cristabel' he has exhibited the dark principle of evil, lurking within the good, and ever struggling with it. We read it in the spell the wicked witch Geraldine works upon her innocent and unsuspecting protector; we read it in the strange words which Geraldine addresses |
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