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Discourses on Satire and on Epic Poetry by John Dryden
page 11 of 202 (05%)
with malice, blast the reputation of the most innocent amongst men,
and the most virtuous amongst women.

Heaven be praised, our common libellers are as free from the
imputation of wit as of morality, and therefore whatever mischief
they have designed they have performed but little of it. Yet these
ill writers, in all justice, ought themselves to be exposed, as
Persius has given us a fair example in his first Satire, which is
levelled particularly at them; and none is so fit to correct their
faults as he who is not only clear from any in his own writings, but
is also so just that he will never defame the good, and is armed
with the power of verse to punish and make examples of the bad. But
of this I shall have occasion to speak further when I come to give
the definition and character of true satires.

In the meantime, as a counsellor bred up in the knowledge of the
municipal and statute laws may honestly inform a just prince how far
his prerogative extends, so I may be allowed to tell your lordship,
who by an undisputed title are the king of poets, what an extent of
power you have, and how lawfully you may exercise it over the
petulant scribblers of this age. As Lord Chamberlain, I know, you
are absolute by your office in all that belongs to the decency and
good manners of the stage. You can banish from thence scurrility
and profaneness, and restrain the licentious insolence of poets and
their actors in all things that shock the public quiet, or the
reputation of private persons, under the notion of humour. But I
mean not the authority which is annexed to your office, I speak of
that only which is inborn and inherent to your person; what is
produced in you by an excellent wit, a masterly and commanding
genius over all writers: whereby you are empowered, when you
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