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Discourses on Satire and on Epic Poetry by John Dryden
page 12 of 202 (05%)
please, to give the final decision of wit, to put your stamp on all
that ought to pass for current and set a brand of reprobation on
clipped poetry and false coin. A shilling dipped in the bath may go
for gold amongst the ignorant, but the sceptres on the guineas show
the difference. That your lordship is formed by nature for this
supremacy I could easily prove (were it not already granted by the
world) from the distinguishing character of your writing, which is
so visible to me that I never could be imposed on to receive for
yours what was written by any others, or to mistake your genuine
poetry for their spurious productions. I can farther add with
truth, though not without some vanity in saying it, that in the same
paper written by divers hands, whereof your lordship's was only
part, I could separate your gold from their copper; and though I
could not give back to every author his own brass (for there is not
the same rule for distinguishing betwixt bad and bad as betwixt ill
and excellently good), yet I never failed of knowing what was yours
and what was not, and was absolutely certain that this or the other
part was positively yours, and could not possibly be written by any
other.

True it is that some bad poems, though not all, carry their owners'
marks about them. There is some peculiar awkwardness, false
grammar, imperfect sense, or, at the least, obscurity; some brand or
other on this buttock or that ear that it is notorious who are the
owners of the cattle, though they should not sign it with their
names. But your lordship, on the contrary, is distinguished not
only by the excellency of your thoughts, but by your style and
manner of expressing them. A painter judging of some admirable
piece may affirm with certainty that it was of Holbein or Vandyck;
but vulgar designs and common draughts are easily mistaken and
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