Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 63 of 234 (26%)
page 63 of 234 (26%)
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was customary to expect suppers on these occasions; going even further
than this politeness of feature, and starting irrelevant subjects, the exceeding flatness and forced tone of which rather betrayed their object. The younger members said they were quite hungry, and that supper would be delightful though it was so late. Good luck attended Dick's love-passes during the meal. He sat next Fancy, and had the thrilling pleasure of using permanently a glass which had been taken by Fancy in mistake; of letting the outer edge of the sole of his boot touch the lower verge of her skirt; and to add to these delights the cat, which had lain unobserved in her lap for several minutes, crept across into his own, touching him with fur that had touched her hand a moment before. There were, besides, some little pleasures in the shape of helping her to vegetable she didn't want, and when it had nearly alighted on her plate taking it across for his own use, on the plea of waste not, want not. He also, from time to time, sipped sweet sly glances at her profile; noticing the set of her head, the curve of her throat, and other artistic properties of the lively goddess, who the while kept up a rather free, not to say too free, conversation with Mr. Shiner sitting opposite; which, after some uneasy criticism, and much shifting of argument backwards and forwards in Dick's mind, he decided not to consider of alarming significance. "A new music greets our ears now," said Miss Fancy, alluding, with the sharpness that her position as village sharpener demanded, to the contrast between the rattle of knives and forks and the late notes of the fiddlers. "Ay; and I don't know but what 'tis sweeter in tone when you get above forty," said the tranter; "except, in faith, as regards father there. |
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