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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 64 of 234 (27%)
Never such a mortal man as he for tunes. They do move his soul; don't
'em, father?"

The eldest Dewy smiled across from his distant chair an assent to
Reuben's remark.

"Spaking of being moved in soul," said Mr. Penny, "I shall never forget
the first time I heard the 'Dead March.' 'Twas at poor Corp'l Nineman's
funeral at Casterbridge. It fairly made my hair creep and fidget about
like a vlock of sheep--ah, it did, souls! And when they had done, and
the last trump had sounded, and the guns was fired over the dead hero's
grave, a' icy-cold drop o' moist sweat hung upon my forehead, and another
upon my jawbone. Ah, 'tis a very solemn thing!"

"Well, as to father in the corner there," the tranter said, pointing to
old William, who was in the act of filling his mouth; "he'd starve to
death for music's sake now, as much as when he was a boy-chap of
fifteen."

"Truly, now," said Michael Mail, clearing the corner of his throat in the
manner of a man who meant to be convincing; "there's a friendly tie of
some sort between music and eating." He lifted the cup to his mouth, and
drank himself gradually backwards from a perpendicular position to a
slanting one, during which time his looks performed a circuit from the
wall opposite him to the ceiling overhead. Then clearing the other
corner of his throat: "Once I was a-setting in the little kitchen of the
Dree Mariners at Casterbridge, having a bit of dinner, and a brass band
struck up in the street. Such a beautiful band as that were! I was
setting eating fried liver and lights, I well can mind--ah, I was! and to
save my life, I couldn't help chawing to the tune. Band played six-eight
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