Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 64 of 234 (27%)
page 64 of 234 (27%)
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Never such a mortal man as he for tunes. They do move his soul; don't
'em, father?" The eldest Dewy smiled across from his distant chair an assent to Reuben's remark. "Spaking of being moved in soul," said Mr. Penny, "I shall never forget the first time I heard the 'Dead March.' 'Twas at poor Corp'l Nineman's funeral at Casterbridge. It fairly made my hair creep and fidget about like a vlock of sheep--ah, it did, souls! And when they had done, and the last trump had sounded, and the guns was fired over the dead hero's grave, a' icy-cold drop o' moist sweat hung upon my forehead, and another upon my jawbone. Ah, 'tis a very solemn thing!" "Well, as to father in the corner there," the tranter said, pointing to old William, who was in the act of filling his mouth; "he'd starve to death for music's sake now, as much as when he was a boy-chap of fifteen." "Truly, now," said Michael Mail, clearing the corner of his throat in the manner of a man who meant to be convincing; "there's a friendly tie of some sort between music and eating." He lifted the cup to his mouth, and drank himself gradually backwards from a perpendicular position to a slanting one, during which time his looks performed a circuit from the wall opposite him to the ceiling overhead. Then clearing the other corner of his throat: "Once I was a-setting in the little kitchen of the Dree Mariners at Casterbridge, having a bit of dinner, and a brass band struck up in the street. Such a beautiful band as that were! I was setting eating fried liver and lights, I well can mind--ah, I was! and to save my life, I couldn't help chawing to the tune. Band played six-eight |
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