Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 70 of 234 (29%)
page 70 of 234 (29%)
![]() | ![]() |
|
business, who wished to leave the handkerchief and have done with such
trifling errands. This endeavour signally failed; for on approaching the gate he found it locked to keep the children, who were playing 'cross-dadder' in the front, from running into her private grounds. She did not see him; and he could only think of one thing to be done, which was to shout her name. "Miss Day!" The words were uttered with a jerk and a look meant to imply to the cottages opposite that he was now simply one who liked shouting as a pleasant way of passing his time, without any reference to persons in gardens. The name died away, and the unconscious Miss Day continued digging and pulling as before. He screwed himself up to enduring the cottage-windows yet more stoically, and shouted again. Fancy took no notice whatever. He shouted the third time, with desperate vehemence, turning suddenly about and retiring a little distance, as if it were by no means for his own pleasure that he had come. This time she heard him, came down the garden, and entered the school at the back. Footsteps echoed across the interior, the door opened, and three-quarters of the blooming young schoolmistress's face and figure stood revealed before him; a slice on her left-hand side being cut off by the edge of the door. Having surveyed and recognized him, she came to |
|