Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 71 of 234 (30%)
page 71 of 234 (30%)
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the gate.
At sight of him had the pink of her cheeks increased, lessened, or did it continue to cover its normal area of ground? It was a question meditated several hundreds of times by her visitor in after-hours--the meditation, after wearying involutions, always ending in one way, that it was impossible to say. "Your handkerchief: Miss Day: I called with." He held it out spasmodically and awkwardly. "Mother found it: under a chair." "O, thank you very much for bringing it, Mr. Dewy. I couldn't think where I had dropped it." Now Dick, not being an experienced lover--indeed, never before having been engaged in the practice of love-making at all, except in a small schoolboy way--could not take advantage of the situation; and out came the blunder, which afterwards cost him so many bitter moments and a sleepless night:- "Good morning, Miss Day." "Good morning, Mr. Dewy." The gate was closed; she was gone; and Dick was standing outside, unchanged in his condition from what he had been before he called. Of course the Angel was not to blame--a young woman living alone in a house could not ask him indoors unless she had known him better--he should have kept her outside before floundering into that fatal farewell. He wished that before he called he had realized more fully than he did the pleasure |
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