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Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 85 of 234 (36%)

Mail recovered from a deep meditation and downward glance into the earth
in time to give a cordial approval to this line of action, and the
meeting adjourned.



CHAPTER IV: THE INTERVIEW WITH THE VICAR


At six o'clock the next day, the whole body of men in the choir emerged
from the tranter's door, and advanced with a firm step down the lane.
This dignity of march gradually became obliterated as they went on, and
by the time they reached the hill behind the vicarage a faint resemblance
to a flock of sheep might have been discerned in the venerable party. A
word from the tranter, however, set them right again; and as they
descended the hill, the regular tramp, tramp, tramp of the united feet
was clearly audible from the vicarage garden. At the opening of the gate
there was another short interval of irregular shuffling, caused by a
rather peculiar habit the gate had, when swung open quickly, of striking
against the bank and slamming back into the opener's face.

"Now keep step again, will ye?" said the tranter. "It looks better, and
more becomes the high class of arrant which has brought us here." Thus
they advanced to the door.

At Reuben's ring the more modest of the group turned aside, adjusted
their hats, and looked critically at any shrub that happened to lie in
the line of vision; endeavouring thus to give a person who chanced to
look out of the windows the impression that their request, whatever it
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