Under the Greenwood Tree, or, the Mellstock quire; a rural painting of the Dutch school by Thomas Hardy
page 86 of 234 (36%)
page 86 of 234 (36%)
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was going to be, was rather a casual thought occurring whilst they were
inspecting the vicar's shrubbery and grass-plot than a predetermined thing. The tranter, who, coming frequently to the vicarage with luggage, coals, firewood, etc., had none of the awe for its precincts that filled the breasts of most of the others, fixed his eyes firmly on the knocker during this interval of waiting. The knocker having no characteristic worthy of notice, he relinquished it for a knot in one of the door-panels, and studied the winding lines of the grain. "O, sir, please, here's Tranter Dewy, and old William Dewy, and young Richard Dewy, O, and all the quire too, sir, except the boys, a-come to see you!" said Mr. Maybold's maid-servant to Mr. Maybold, the pupils of her eyes dilating like circles in a pond. "All the choir?" said the astonished vicar (who may be shortly described as a good-looking young man with courageous eyes, timid mouth, and neutral nose), abandoning his writing and looking at his parlour-maid after speaking, like a man who fancied he had seen her face before but couldn't recollect where. "And they looks very firm, and Tranter Dewy do turn neither to the right hand nor to the left, but stares quite straight and solemn with his mind made up!" "O, all the choir," repeated the vicar to himself, trying by that simple device to trot out his thoughts on what the choir could come for. "Yes; every man-jack of 'em, as I be alive!" (The parlour-maid was rather local in manner, having in fact been raised in the same village.) "Really, sir, 'tis thoughted by many in town and country that--" |
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