Benita, an African romance by H. Rider (Henry Rider) Haggard
page 20 of 274 (07%)
page 20 of 274 (07%)
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Just then the sound of the piano and the fiddle in the saloon ceased.
One of the waltzes was over, and some of the dancers came upon deck to flirt or to cool themselves. One pair, engaged very obviously in the former occupation, stationed themselves so near to Robert and Benita that further conversation between them was impossible, and there proceeded to interchange the remarks common to such occasions. For a good ten minutes did they stand thus, carrying on a mock quarrel as to a dance of which one of them was supposed to have been defrauded, until Robert Seymour, generally a very philosophical person, could have slain those innocent lovers. He felt, he knew not why, that his chances were slipping away from him; that sensation of something bad about to happen, of which Benita had spoken, spread from her to him. The suspense grew exasperating, terrible even, nor could it be ended. To ask her to come elsewhere was under the circumstances not feasible, especially as he would also have been obliged to request the other pair to make way for them, and all this time, with a sinking of the heart, he felt that probably Benita was beating down any tenderness which she might feel towards him; that when her long-delayed answer did come the chances were it would be "No." The piano began to play again in the saloon, and the young people, still squabbling archly, at length prepared to depart. Suddenly there was a stir upon the bridge, and against the tender sky Robert saw a man dash forward. Next instant the engine-room bell rang fiercely. He knew the signal--it was "Stop," followed at once by other ringings that meant "Full speed astern." "I wonder what is up?" said the young man to the young woman. |
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