actors by the names they had on the stage. 'Bon jour', Monsieur Arlequin;
'bon jour', Monsieur Pantalon: such was the manner in which the French
used to address the actors who personified those characters on the stage.




CHAPTER VI

My Apprenticeship in Paris--Portraits--Oddities--All Sorts of Things

To celebrate the arrival of her son, Silvia gave a splendid supper to
which she had invited all her relatives, and it was a good opportunity
for me to make their acquaintance. Baletti's father, who had just
recovered from a long illness, was not with us, but we had his father's
sister, who was older than Mario. She was known, under her theatrical
name of Flaminia, in the literary world by several translations, but I
had a great wish to make her acquaintance less on that account than in
consequence of the story, known throughout Italy, of the stay that three
literary men of great fame had made in Paris. Those three literati were
the Marquis Maffei, the Abbe Conti, and Pierre Jacques Martelli, who
became enemies, according to public rumour, owing to the belief
entertained by each of them that he possessed the favours of the actress,
and, being men of learning, they fought with the pen. Martelli composed a
satire against Maffei, in which he designated him by the anagram of
Femia.

I had been announced to Flaminia as a candidate for literary fame, and
she thought she honoured me by addressing me at all, but she was wrong,
for she displeased me greatly by her face, her manners, her style, even