by the sound of her voice. Without saying it positively, she made me
understand that, being herself an illustrious member of the republic of
letters, she was well aware that she was speaking to an insect. She
seemed as if she wanted to dictate to everybody around her, and she very
likely thought that she had the right to do so at the age of sixty,
particularly towards a young novice only twenty-five years old, who had
not yet contributed anything to the literary treasury. In order to please
her, I spoke to her of the Abbe Conti, and I had occasion to quote two
lines of that profound writer. Madam corrected me with a patronizing air
for my pronunciation of the word 'scevra', which means divided, saying
that it ought to be pronounced 'sceura', and she added that I ought to be
very glad to have learned so much on the first day of my arrival in
Paris, telling me that it would be an important day in my life.

"Madam, I came here to learn and not to unlearn. You will kindly allow me
to tell you that the pronunciation of that word 'scevra' with a v, and
not 'sceura' with a u, because it is a contraction of 'sceverra'."

"It remains to be seen which of us is wrong."

"You, madam, according to Ariosto, who makes 'scevra' rhyme with
'persevra', and the rhyme would be false with 'sceura', which is not an
Italian word."

She would have kept up the discussion, but her husband, a man eighty
years of age, told her that she was wrong. She held her tongue, but from
that time she told everybody that I was an impostor.

Her husband, Louis Riccoboni, better known as Lelio, was the same who had
brought the Italian company to Paris in 1716, and placed it at the