from the worst effects of his doctrine by worshipping apart from other
sinners in a glazed gallery. Herder is buried in the church, and when you
ask where, the sacristan lifts a wooden trap-door in the pavement, and
you think you are going down into the crypt, but you are only to see
Herder's monumental stone, which is kept covered so to save it from
passing feet. Here also is the greatest picture of that great soul Luke
Kranach, who had sincerity enough in his paining to atone for all the
swelling German sculptures in the world. It is a crucifixion, and the
cross is of a white birch log, such as might have been cut out of the
Weimar woods, shaved smooth on the sides, with the bark showing at the
edges. Kranach has put himself among the spectators, and a stream of
blood from the side of the Savior falls in baptism upon the painter's
head. He is in the company of John the Baptist and Martin Luther; Luther
stands with his Bible open, and his finger on the line, "The blood of
Jesus cleanseth us."

Partly because he felt guilty at doing all these things without his wife,
and partly because he was now very hungry, March turned from them and got
back to his hotel, where she was looking out for him from their open
window. She had the air of being long domesticated there, as she laughed
down at seeing him come; and the continued brilliancy of the weather
added to the illusion of home.

It was like a day of late spring in Italy or America; the sun in that
gardened hollow before the museum was already hot enough to make him glad
of the shelter of the hotel. The summer seemed to have come back to
oblige them, and when they learned that they were to see Weimar in a
festive mood because this was Sedan Day, their curiosity, if not their
sympathy, accepted the chance gratefully. But they were almost moved to
wish that the war had gone otherwise when they learned that all the